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TV- & Grafikkort

MATROX
MXO2/I

MATROX MXO2/I (MXO2/I)

Artikelnr: MXO2/I
Gränssnitt: PCI Express
GPU: Matrox
DVI: 0
VGA: 0
HDMI: 2
Displayport: 0
Profile: External
14.499:-  [11.599,20 ex moms]
 
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Hos leverantören: 1

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Beskrivning

Complete professional HD/SD I/O for Mac and PC

Why buy an I/O card and a breakout box when you can get all the features of both in Matrox MXO2? This award-winning device also gives you the added advantage of portability. It can easily be moved among the editing stations in your facility as the need arises and you can take it on the road with a laptop. It gives you highly-reliable, broadcast-quality input/output via HDMI, SDI, and analog; professional audio inputs and outputs including built-in 5.1 surround sound monitoring; and HDMI video monitoring with unique Matrox calibration controls including blue-only. You also benefit from a wide variety of HD and SD workflows with Final Cut Studio and Adobe CS4 Production Premium thanks to Matrox MXO2’s 10-bit hardware scaling engine and support for a wealth of file-based formats and industry-standard codecs. Enjoy maximum I/O flexibility with Matrox MXO2 – edit anything, anywhere!

MXO2 for the Mac

1Complete professional HD/SD I/O for MacBook Pro and Mac Pro

  • Works with Intel-based MacBook Pros, Mac Pros, and Apple Xserve systems
  • Lightweight – less than 3 ½ lbs. (1600 grams)
  • Fits in your laptop bag – 13" x 9½" x 2" (330mm x 241mm x 51mm)
  • Can run off a field battery or its AC adapter
  • HD/SD SDI, HD/SD analog component, Y/C, and composite inputs and outputs
  • Genlock – SD analog black burst (bi-level) or HD tri-level sync
  • 10-bit HDMI input, output, and monitoring with calibration controls including blue-only
  • 10-bit realtime hardware up/down/cross conversion on capture and output
  • Up to five user selectable simultaneous video outputs – HD and/or SD on HDMI, SDI, and analog
  • Professional audio inputs and outputs with 5.1 surround sound monitoring
  • RS-422 machine control for frame-accurate capture and print-to-tape
  • Captures to a variety of codecs – Apple ProRes 422 HQ, 10-bit uncompressed HD, and many more
  • File-based workflow support – XDCAM, XDCAM HD, XDCAM EX, P2, P2HD
  • RED workflow support
  • HD-SDI closed captioning support
  • Works with Final Cut Pro, Apple Color, Adobe Premiere Pro, Adobe After Effects and all QuickTime applications that support the V-out component
  • Also available with Matrox MAX for faster than realtime H.264 encoding
  • Three-year hardware warranty and complimentary telephone support

Truly portable
Matrox MXO2 is the first truly portable I/O device for the Mac. It fits easily into your laptop bag and can run off standard field batteries or the included AC power adapter. It connects to your MacBook Pro via Apple's ExpressCard/34 slot or to your Mac Pro via a PCI Express adapter card. Both adapters are included

1HD and SD inputs and outputs
Matrox MXO2 features a full complement of professional inputs and outputs. RS-422 machine control is provided for frame-accurate capture and print-to tape with Final Cut Pro.

Inputs

  • Video
    • SDI - HD/SD
    • Component - HD/SD - 10-bit
    • Y/C - 10-bit
    • Composite - 10-bit
    • HDMI - HD - 10-bit
  • Audio
    • 2 XLR - balanced
    • 2 RCA - unbalanced
    • 2 AES/EBU
    • SDI embedded – up to 8 channels
    • HDMI embedded - up to 8 channels

Outputs

  • Video
    • 2 SDI - HD/SD
    • Component - HD/SD - 12-bit
    • Y/C - 12-bit
    • Composite - 12-bit
    • HDMI - HD/SD - 10-bit
  • Audio
    • 4 XLR - balanced
    • 6 RCA - for surround sound monitoring (unbalanced)
    • 2 AES/EBU
    • SDI embedded – up to 8 channels
    • HDMI embedded - up to 8 channels

Up to five user selectable simultaneous video outputs, HD and/or SD on HDMI, SDI, and analog are supported.

Genlock
Matrox MXO2 provides SD analog black burst (bi-level) or HD tri-level sync genlock. It can genlock to any type of video input or to house sync. Timing offset controls can be used to align your video output relative to your external genlock source to compensate for cable delays within your facility

1Flexible workflows

Capture to a variety of codecs
Matrox MXO2 lets you capture to HD and SD codecs supported by Final Cut Pro. On a Quad-Core MacPro, you can capture HD to ProRes 422 HQ, DVCPRO HD, DV, DVCPRO, and DVCPRO50. On a MacBook Pro Core2 Duo 2.4 GHz or faster, you can capture HD to ProRes 422 HQ (720p at 24, 25, and 30 fps), ProRes 422 (LT), and DVCPRO HD. On systems equipped with proper storage you can capture uncompressed 8- and 10-bit HD.

Use your favorite file-based formats
Matrox MXO2 lets you work with file-based formats such as XDCAM, XDCAM HD, XDCAM EX, P2, and P2HD. You can play out these formats directly from Final Cut Pro – no intermediate codec is needed. Matrox MXO2 lets you play out these formats from a MacBook Pro without dropping frames.

RED workflow support
RED users can benefit from Matrox MXO2 to capture, monitor, and playback on set. Back in the post suite, they can use Matrox MXO2 to work with 1K and 2K RED timelines and output to SD, 720, or 1080 via MXO2’s realtime 10-bit hardware scaling feature.

HD-SDI closed captioning support
You will no longer need to spend time and money recreating HD captioning data that is typically lost when editing projects in Final Cut Pro. Matrox MXO2 offers a unique workflow to capture, playback, and preserve closed captioning data while editing. Nothing is destroyed even when trimming or color correcting video clips. In addition, Matrox has worked with CPC, the closed captioning software leader, to develop an innovative solution that allows the MacCaption software to encode, decode, edit, and create HD and SD closed captioning for use with Matrox MXO2. Matrox MXO2 also provides a cost effective way to monitor HD timelines containing closed captioning data on SDI and component SD monitors, while also inserting closed captioning information into line 21 of active video for SD deliverables. You can deliver HD and SD masters containing closed captions simultaneously.

1HD and SD video monitoring
Matrox MXO2 turns your HDMI monitor into a true-color video display you can trust, even for color grading. It’s packed with features that make it the ideal monitoring solution for Final Cut Pro, Apple Color, Adobe After Effects, and other QuickTime-based applications. You won’t need to buy expensive HD monitoring equipment. In addition, MXO2’s realtime downscaling feature lets you view your HD projects on an SD monitor

HDMI monitoring with 10-bit 4:2:2 color precision
Matrox MXO2 lets you adjust and control your HDMI monitor exactly like you would a broadcast HD/SD monitor. Controls for hue, chroma, contrast, brightness, and blue-only are provided. This unique control gives you accurate color representation so that you can use your HDMI monitor even for color grading.

Pixel-to-pixel mapping on the HDMI display
Matrox MXO2 provides 1:1 pixel mapping on HDMI monitors that support this feature. You get accurate monitoring on your HDMI display in the following resolutions

  • 720 x 486 (NTSC)
  • 720 x 576 (PAL)
  • 1920 x 1080
  • 1280 x 720

1Audio monitoring
Matrox MXO2 provides built-in 5.1 surround sound monitoring via RCA so you don't need to invest in additional equipment as you do with some other I/O products. Matrox MXO2 also gives you the flexibility to map any audio track in Final Cut Pro to any audio output.

1Realtime hardware up/down/cross conversion on capture and output
Matrox MXO2 lets you deliver in any format your clients demand. The 10-bit hardware scaling provides high-quality mastering.

HD to SD downscaling
Matrox MXO2 provides realtime HD to SD downscaling with proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic, letterbox, and center cut. You can monitor or record an SD master of your HD project in real time.

SD to HD upscaling
Matrox MXO2 provides realtime SD to HD upscaling with proper conversion of the SD color space to the HD color space. MXO2 will "pillarbox" 4:3 footage and scale 16:9 SD footage to full screen.

Cross conversion
Matrox MXO2 offers realtime cross conversions from 720 to 1080 and 1080 to 720. Realtime frame rate conversion is also supported with 2:3:2:3 and 2:3:3:2 cadences. This feature is useful if, for example, your source material is recorded at a different frame rate or resolution than the delivery format your client requires. It also facilitates monitoring when, for example, you need to work with 23.98 fps footage but your monitor does not support that frame rate. You can use MXO2's realtime frame rate conversion to view your project at 29.97 fps. Conversion from 23.98 fps to 25 fps is handled by Final Cut Pro and the host.

1Hardware acceleration of Final Cut Pro Dynamic RT segments, HDV, and DVCPRO HD
When you are working with Final Cut Pro Dynamic RT segments or the HDV and DVCPRO HD formats, the Matrox MXO2 10-bit hardware scaler takes some of the burden off your CPU, saving processing power for other Final Cut Pro operations, so you get better realtime performance.
In Dynamic RT editing mode, Final Cut Pro automatically reduces frame size to let you preview non-realtime segments of your project at a better frame rate. With the Matrox MXO2 hardware scaler, these segments are accelerated to their original frame size.
Matrox MXO2 accelerates HDV and DVCPRO HD to full resolution during playback

MXO2 for the PC

Complete professional HD/SD I/O for Windows laptops and desktops

  • Works with Windows 7 (64-bit), Windows Vista (32- and 64-bit), Windows XP (32-bit) laptops and desktops
  • Lightweight – less than 3½ lbs. (1600 grams)
  • Fits in your laptop bag – 13" x 9½" x 2" (330mm x 241mm x 51mm)
  • Can run off a field battery or its AC adapter
  • HD/SD SDI, HDMI, HD/SD analog component, Y/C, and composite inputs and outputs
  • Genlock – SD analog black burst (bi-level) or HD tri-level sync
  • Unique Matrox calibration controls for 10-bit HDMI monitoring including blue-only
  • 10-bit realtime hardware downscaling on output
  • Up to five user selectable simultaneous video outputs – HD and/or SD on HDMI, SDI, and analog
  • Professional audio inputs and outputs including 5.1 surround sound monitoring
  • Works with all the codecs supported by Adobe Premiere Pro including AVCHD, HDV, DVCPRO HD, DVCPRO5, DVCPRO, and DV
  • Captures to HD and SD codecs – 8- and 10-bit uncompressed and highly efficient Matrox MPEG-2 I-frame
  • Includes Matrox A/V Tools, an easy-to-use application for fast capture/playback of audio, video, and still frames
  • File-based workflow support – XDCAM, XDCAM HD, XDCAM EX, P2,
  • RED workflow support
  • Works with Adobe Premiere Pro CS4 4.2
  • Provides WYSIWYG support for applications such as Adobe Encore CS4, Photoshop CS4, and After Effects CS4; Autodesk Combustion; and NewTek LightWave 3D (32-bit versions only)
  • Also available with Matrox MAX technology for accelerated H.264 encoding with Adobe Media Encoder CS4 4.2
  • Three-year hardware warranty and complimentary telephone support

1Truly portable
Matrox MXO2 is truly portable. It fits easily into your laptop bag and can run off standard field batteries or the included AC power adapter. It connects to your laptop via an ExpressCard slot or to your desktop or workstation via a PCI Express adapter card. Both adapters are included

1HD and SD inputs and outputs
Matrox MXO2 features a full complement of professional inputs and outputs. Frame accurate, broadcast quality capture and playback are provided.

Inputs

  • Video
    • SDI - HD/SD
    • Component - HD/SD - 10-bit
    • Y/C - 10-bit
    • Composite - 10-bit
    • HDMI - HD - 10-bit
  • Audio
    • 2 XLR - balanced
    • 2 RCA - unbalanced
    • 2 AES/EBU
    • SDI embedded – up to 8 channels
    • HDMI embedded - up to 8 channels

Outputs

  • Video
    • 2 SDI - HD/SD
    • Component - HD/SD - 12-bit
    • Y/C - 12-bit
    • Composite - 12-bit
    • HDMI - HD/SD - 10-bit
  • Audio
    • 4 XLR - balanced
    • 6 RCA - for surround sound monitoring (unbalanced)
    • 2 AES/EBU
    • SDI embedded – up to 8 channels
    • HDMI embedded - up to 8 channels

Up to five user selectable simultaneous video outputs, HD and/or SD on HDMI, SDI, and analog are supported.

Genlock
Matrox MXO2 provides SD analog black burst (bi-level) or HD tri-level sync genlock. It can genlock to any type of video input or to house sync. Timing offset controls can be used to align your video output relative to your external genlock source to compensate for cable delays within your facility

1Flexible workflows

Work with a variety of codecs
Matrox MXO2 lets you work with all the codecs supported by Adobe Premiere Pro including AVCHD, HDV, DVCPRO HD, DVCPRO50, DVCPRO, and DV. It also lets you capture from its analog or digital inputs from within the Adobe Premiere Pro capture interface to 8- and 10-bit uncompressed and Matrox MPEG-2 I-frame codecs in HD and SD.

Use your favorite file-based formats
Matrox MXO2 gives you full-screen monitoring as you work with file-based formats such as XDCAM, XDCAM HD, XDCAM EX, P2, and P2HD in Adobe Premiere Pro.

RED workflow support
RED users can benefit from Matrox MXO2 to capture, monitor, and playback on set. Back in the post suite, they can use Matrox MXO2 to work with R3D files and output to SD, 720, or 1080.

Benefit from the Matrox A/V Tools application
Matrox A/V Tools is a stand-alone application for fast capture and playback of your audio/video assets. It’s particularly useful when all you need to do is quickly capture video for web streaming or DVD authoring. Matrox A/V Tools lets you capture HD and SD analog, SDI or HDMI video from your camera or VTR into AVI files on your computer. You can choose to capture to the uncompressed 8- or 10-bit codecs for the highest quality or to the highly-efficient Matrox MPEG-2 I-frame codec at up to 300 Mb/s. Using the MPEG-2 I-frame codec lets you easily edit XDCAM or AVCHD footage which would otherwise be difficult to work with.
Matrox A/V Tools provides on-screen transport controls to let you navigate quickly and easily through clips on disk. You can create playlists and change the order of clips by simply dragging and dropping them. You can also grab single-frame images and save them as TGA files to create photo montages.

Interoperability with Matrox RT.X2 and Axio
Matrox MXO2 includes the Matrox color correction plug-in for advanced primary and secondary color control from within Adobe Premiere Pro CS4. Color corrected sequences created in the field using Matrox MXO2 will playback in realtime when edited on Matrox RT.X2 and Axio systems. In addition, Matrox MXO2 also supports the Matrox 1440 x 1080 MPEG I-frame format so that footage captured with MXO2 from various SDI, analog, and HDMI sources including AVCHD can be transferred to RT.X2 and Axio systems for realtime editing

1HD and SD video monitoring
Matrox MXO2 provides full quality previews on all digital and analog outputs for popular applications such as Adobe Premiere Pro CS4, Encore CS4, Photoshop CS4, and After Effects CS4; Autodesk Combustion; and NewTek LightWave 3D (32-bit versions only) so you don’t need to rely on just a small preview window on your desktop. In addition, MXO2’s realtime downscaling feature lets you view your HD projects on an SD monitor.

HDMI monitoring with 10-bit 4:2:2 color precision
Matrox MXO2 lets you adjust and control your HDMI monitor exactly like you would a broadcast HD/SD monitor so you won’t need to buy expensive HD monitoring equipment. Controls for hue, chroma, contrast, brightness, and blue-only are provided. This unique control gives you accurate color representation so that you can use your HDMI monitor even for color grading.

Pixel-to-pixel mapping on the HDMI display
Matrox MXO2 provides 1:1 pixel mapping on HDMI monitors that support this feature

1Audio monitoring
Matrox MXO2 provides built-in 5.1 surround sound monitoring via RCA so you don’t need to invest in additional equipment as you do with some other I/O products. Matrox MXO2 also gives you the flexibility to map any audio track in Adobe Premiere Pro to any audio output

1Realtime hardware downscaling on output
Matrox MXO2 provides high-quality realtime 10-bit HD to SD downscaling with proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic and letterbox. You can monitor or record an SD master of your HD project in real time

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